17. 11. 2024, 3 p.m.
Villa Löw-Beer
Soprano: Pavla Vykopalová
Klarinet: Karel Dohnal
Piano: Eliška Novotná
The performance lasts 90 minutes including a 20-minute intermission.
Pavel Haas: Six Songs in Folk Tone for Soprano and Piano, Op. 1
Miloslav Ištvan: Sonata for Clarinet and Piano
Bohuslav Martinů: Songs on One Page
Antonín Tučapský: The Sorrow of Love; Five Moravian Songs
Vítězslav Novák: Two Wallachian Dances, Op. 34
Leoš Janáček: Nursery Rhymes
The concert of our leading soprano Pavla Vykopalová is combined with a performance of the equally renowned clarinettist Karel Dohnal and pianist Eliška Novotná. The compositions of the Czech composers have a common denominator: the folk song.
The Sonata for Clarinet and Piano by Miloslav Ištvan (1928-1990) originates from the early period of the composer’s work, during which his musical expression bore significant traces of neofolklorism influenced by the music of Leoš Janáček and Béla Bartók. The piece was created from July to December 1954, simultaneously with the incidental music for Gabriela Preissová’s play “Gazdina roba.” The effective, virtuosic instrumental setting ensured the sonata’s wide popularity among clarinetists.
Songs on One Page by Bohuslav Martinů (1890–1959) are among the gems of Czech song literature. Martinů composed them during the difficult times of WWII, when he had to emigrate to the United States. There in 1943, filled with longing for his native land, he composed seven songs to the lyrics of Moravian songs from Sušil’s collection.
Antonín Tučapský (1928–2014), a conductor, choirmaster and composer living in forced exile in Great Britain since 1975, composed his cycle of arrangements of Moravian folk songs gradually between 1983 and 1991. He arranged the songs for soprano, clarinet and piano.
Two Wallachian Dances by Vítězslav Novák (1870–1949) for piano from 1904 are a very virtuosic piece technically, demonstrating the author’s close relationship to folk culture, which he was experiencing during this creative period.
Leoš Janáček (1854–1928) gifted himself with the whimsical Nursery Rhymes shortly after his seventieth birthday. These years are typical of the composer’s remarkable chamber instrumentation (Nursery Rhymes, Concertino, Capriccio). Inspiration came, as it had several times before, from his favourite Lidové noviny, when the supplement Dětský koutek (Children’s Corner) published short rhymes illustrated by Josef Lada, Ondřej Sekora and Jan Hála. The concert will feature the original version of the Nursery Rhymes for mezzo-soprano, clarinet and piano.
Jiří Zahrádka